A noted film critic writes about one of Shakespeare’s best known abusers of power. The play, Yacowar argues, is based upon the collision of multiple perspectives, as was the Cubist art movement hundreds of years later.
AUTHOR: Maurice Yacowar
Maurice Yacowar is Professor Emeritus, English and Film Studies, University of Calgary, now living in Victoria. His latest book is Reading Shtisel (lulu.com), an episode-by-episode analysis of the Israeli dramatic series now on Netflix.